銅梁龍彩扎工藝研究

1、重慶大學(xué)碩士學(xué)位論文銅梁龍彩扎工藝研究姓名：王世基申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：藝術(shù)學(xué)指導(dǎo)教師：戚序2010-04重慶大學(xué)碩士學(xué)位論文 英文摘要 II ABSTRACT With the trend of globalization and the development of modernization, China's “cultural environment“ has changed dramatically. Tradi

2、tional handicrafts, as represented by the folk dynamic cultural, are greatly affected by changes in social structure and the growing impact of the environment, its own morphological characteristics such as “ Intangible C

3、ultural Heritage “, “ dynamic “, “Evolution“ decide the increasingly narrow of the social basis. The Reports of 17th National People's Congress point “Strengthening of the excavation and protection of the national cu

4、lture, emphasis on protection of cultural relics and intangible cultural heritage, and good cultural artifacts. “ With the development of Intangible Cultural Heritage, countries in the world increasingly emphasis the tr

5、aditional folk culture of this nation. Specific ethnic folk culture embodies the emotional memory, thinking, traditional values and aesthetic ideals. in the perspective of safeguarding national cultural security, a natio

6、n deep cultural change in gene will inevitably bring the whole nation variations and distortions, as well as national characteristics, or even vanished. With the party and the country paying close attention, in 2006 Tong

7、liang dragon dance and craft were included in the national and provincial level (Chongqing) of the first list of Chinese Intangible Cultural Heritage. On the “dragon“ shape of props writings have been related in 1980s, b

8、ut with the development of time, it have been greatly changed from modeling to materials, tools, crafts than 20 years ago. Especially After the success of “ entitled “, the Tongliang Dragon monograph have not yet see in

9、research journals and dissertations. Its work in conservation and heritage continued lack of scientific ideas guide.the lag on the theory is bound to its development, Therefore, the existing literature data on its compre

10、hensive update and improvement, not only is the objective requirements of non-material cultural heritage protection “l(fā)ong“ and “sustainability“ principle, but also specific protecting measures of “dynamic integrity “. T

11、herefore, this paper aims to research the craft of Tongliang Dragon , based on the Fine Arts, and integration of design arts, folklore, sociology of culture, heritage, science and other related disciplines ,and to conduc

12、t multi-dimensional research attempts. First, to deal with the tools, raw materials, process in new period,and to make detailed records, sorting and analysis features of craft of Tongliang Dragon with the methods of syst