筆墨與筆觸——以徐渭與文森特梵高的繪畫藝術(shù)之比較為例

1、湖北美術(shù)學(xué)院碩士學(xué)位論文筆墨與筆觸——以徐渭與文森特·梵·高的繪畫藝術(shù)之比較為例姓名：秦芹申請學(xué)位級別：碩士專業(yè)：中國畫人物畫創(chuàng)作指導(dǎo)教師：徐勇民20100501湖北美術(shù)學(xué)院 2010 年碩士學(xué)位論文 IIAbstract Of a “calligraphy“ is a unique language of Chinese

2、 painting, it is this concept to build the life blood of the Chinese painting and personality appearance, and makes the art form of Chinese painting as the representative of the East; and “pen“ is the most western painti

3、ng a term can not be ignored.In Chinese painting and western painting art of the development process of the comparison, imagine the reach of the non-similarity.Moreover, from the modern western painting art on t

4、he various factors in the oriental art reference should be used on its own developed and evolved out of the results, further promote the development of the western art of painting, allowing the West to prosper the art of

5、 painting its peak this phenomenon,can be seen that the development of the art of painting is mutual. Xu Wei's paintings in emphasis for the pen and Vincent Van Gogh's paintings in the brush strokes to emphasize

6、with consistency.This is also the character of its two have a certain relationship, a pen is easier to express wild two intense emotions.In the two lifetime pursuit for the art of painting is the emotional is also indivi

7、dualized, based on the art of painting to express his feelings, is relying on the spirit.In the development history of the art of painting, they are also a major innovator, making the art of painting began to turn a new