清代節(jié)烈戲曲考論.pdf

1、／Il’勞I氣IV’j4：：j∥，中文摘要中文摘要清代戲曲中，謳歌女性節(jié)烈的劇作甚多。究其原因，消除“淫戲“的不良影響和挽救士風(fēng)的頹廢是劇作家選擇節(jié)烈題材的主要意圖。此外，清代大修方志也是促成節(jié)烈戲曲繁榮的原因。從創(chuàng)作主體上看，節(jié)烈戲曲的作家多為循吏或地方善士，將節(jié)烈事跡譜入戲曲以教化百姓在他們看來是職責(zé)所在。值得注意的是，有些劇作家由于自身的特殊身世，對節(jié)烈故事尤其感興趣。在題材的選擇上，中國古代產(chǎn)生了大量的節(jié)婦烈女，作家不可能對這些

2、故事都感興趣，他們多選擇新奇的、轟動的、當(dāng)?shù)氐墓适逻M(jìn)行創(chuàng)作。由于節(jié)烈本事的特殊性和作家的特殊意圖，節(jié)烈戲曲呈現(xiàn)出尚實性、莊雅性和悲劇性特點。在敘述模式上，節(jié)烈戲曲多采用“仙女謫世’’的模式。在劇本的署名上，節(jié)烈戲曲雖然有不少闕名或署別號，但這類劇作常在他人的文集中被提及，因此大多可考。此外，清代的海烈婦故事影響頗大，并有不少文本傳世，論文第六章重點考索了其中一些重要文本。關(guān)鍵詞：清代；節(jié)烈戲曲；成因；特征：創(chuàng)作主體，f護(hù)一一禧甓小、。乒

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4、inthenumberofstoriesofJielieorwomenofvirtueTheinfluencefIomthephilosophicalschoolofChen&Zhuaside，thepurposesofprohibitingobscenedramasandfosteringasenseofvirtueamongscholarsmotivateddramatiststowriteonsuchthemeTheybothdr

5、ewuponandsupplementedsuchstoriesaboundingininlocalrecordsThesedramatists，themajorityofwhomwereXunli，oruprightlocalgOVerIlOrsandlocalbenefactors，includedsuchstoriesintotheirworksinthehopesofenlighteningandeducatingthemass

6、esNotethatsomeofthesedramatistsdisplayedaspecialinterestinsuchstoriesasaresultoftheirindividualexperiencesThedramatistsusuallychosetoworkonthoseexceptional，influentialandlocalstoriestakendeliberatelyfromthehugedatabaseIn

7、dramasofthissorttlleirsingularityandtheircreators’particularpurposescombinedtomakesuchfeaturesasplainness，eleganceandplaintivenessevolveandtakeshapeParadigmslike”fairiesbanishedfTomtheheavenlycourt”asasubstituteforthethe

8、nlegends’FumebeginningsusuallypredominatedSomeanonymousworksaretraceabletomeirauthors(theanonymitybearscloselyontheirobtrusivecharacter)InadditionChapterSixfocusesonsomeextanttextsaboutHaiLiefuawomanofvirtu@surnamedHalof