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1、南京師范大學(xué)碩士學(xué)位論文八大山人與傅山書(shū)法比較研究姓名:韓浩申請(qǐng)學(xué)位級(jí)別:碩士專(zhuān)業(yè):書(shū)法篆刻指導(dǎo)教師:王繼安2009南京師范大學(xué)碩士論文 2Abstract Badashanren and Fu Shan are well-known in China during the late Ming and early Qing art. In calligraphy, painting, stone carving are the high
2、 attainments in the history of art in China played an important role, is the two-bit book is worthwhile to study at home. Fu Shan and Badashanren’s age, the history of Chinese calligraphy is a huge turning point, on the
3、 one hand, the traditional school bloom with a brilliant last time, famous figures, but with the decline and fall of the Ming Dynasty and the establishment of the Qing Dynasty and Qing Therefore, the early Ming scholars
4、on the repression and persecution, to clamp down on their ideology, with the decline of the fast track to learning. On the other hand, the beginning of the rise of epigraphy, has gradually become the mainstream of academ
5、ic and accelerated the decline with the process of learning. Fu Shan Badashanren and personal experience, there are many similarities, but they are works of calligraphy are displayed distinct style. Ancient calligraph
6、y Badashanren Ya Jane short, the Jin-style to emulate and strive concise lines and the streamlining of the structure in order to win rhyme; and Fu Shan's calligraphy is majestic atmosphere, hung earned the meantime,
7、the thick lines on the strong, the structure of more than twisting around, go on the road to potential success. This is a very worth studying and pondering the question. Therefore, the Fu Shan and Badashanren together, w
8、e would come out of a lot of interesting topics. This article from the book of the family home environment for the growth of personal and social thinking of the environment, calligrapher's personal
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