漢斯立克自律論音樂(lè)美學(xué)體系的邏輯考察——從《論音樂(lè)的美》的文本研究入手.pdf

1、南京藝術(shù)學(xué)院碩士學(xué)位論文漢斯立克自律論音樂(lè)美學(xué)體系的邏輯考察——從《論音樂(lè)的美》的文本研究入手姓名：宋衛(wèi)申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)指導(dǎo)教師：劉承華20090420IIAbstract Eduard Hanslick’s Vom Musikalisch-schonen was the Representative work of aesthetic autonomy in the west, Its production not on

2、ly at that time was causing the enormous stir, and has had the profound influence to the 20th century's western esthetics of music. This article analyzed the internal reason of the produces of aesthetic autonomy is d

3、evelopment of instrumental music and maturity of absolute music. The external factor was the vulgarization of the esthetics of feeling in romanticism time as well as the 19th century positivism ideological trend starting

4、. This article key point is obtains from the text, analyzed this work logical principle road and system info establishment premise, system info's core as well as system info existence question. Ultimate analysis this

5、 book historical limitation and historic importance. The aesthetic autonomy is actually Maintains the esthetics of classical instrumental music based on the idea of absolute music and text foundation, has provided the th

6、eory basis for music independence, and promoted the 20th century new theory achievement production and has initiated a deeper ponder. Keywords: Autonomy Heteronomy Aesthetics of feeling Absolute Music Instrumental mu