清代行草流變及文化探源.pdf

1、摘要中文摘要藝術(shù)發(fā)展與其身處的社會(huì)形態(tài)、思想流派、審美意識(shí)息息相關(guān)。在清朝特定的時(shí)代背景、政治導(dǎo)向的促使下，行草書發(fā)展彰顯出異于其他朝代的審美走向。碑帖并進(jìn)成為清代行草書發(fā)展的特殊形態(tài)。帖學(xué)在延續(xù)傳統(tǒng)“二王“書風(fēng)的同時(shí)繼續(xù)發(fā)展，但無法企及前代的創(chuàng)作高度。清代帖學(xué)發(fā)展至館閣體，藝術(shù)趣味漸趨迷弱，一批有創(chuàng)見性的書家將碑版質(zhì)拙、古樸的韻致沉潛于筆端，發(fā)展了行草書形成新的趨勢——碑學(xué)。碑學(xué)形成、發(fā)展、漸至高潮順應(yīng)時(shí)代發(fā)展潮流，煥發(fā)出盎然生機(jī)。碑

2、帖合流，優(yōu)勢互補(bǔ)，既促進(jìn)了碑學(xué)的完善與成熟，也使帖學(xué)改弦易轍，生發(fā)出嶄新的姿態(tài)，成為書法發(fā)展的必然趨勢。然而推動(dòng)行草書發(fā)展的深層因素，囊括諸多領(lǐng)域，因而本文通過理清行草書的發(fā)展脈絡(luò)，進(jìn)行渫入的文化探源，從本體意識(shí)、主體心理構(gòu)成、藝術(shù)資質(zhì)方面，分析書寫精神背后的根源意味。關(guān)鍵詞：清代行草書碑學(xué)帖學(xué)文化探源摘要lIIfillIIIllllll]lllIIIll11IIfillIIIIl＼I806768AbstractDevelopmento

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