影視修史——中國(guó)文獻(xiàn)紀(jì)錄片發(fā)展歷程暨美學(xué)特征分析_19786.pdf

1、學(xué)位論文獨(dú)創(chuàng)性聲明本人鄭重聲明：所提交的學(xué)位是本人在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作和取得的研究成果。本論文中除引文外，所有實(shí)驗(yàn)、數(shù)據(jù)和有關(guān)材料均是真實(shí)的。本論文中除引文和致謝的內(nèi)容外，不包含其他人或其它機(jī)構(gòu)已經(jīng)發(fā)表或撰寫過的研究成果。其他同志對(duì)本研究所做的貢獻(xiàn)均已在論文中作了聲明并表示了謝意。，乙學(xué)位論文儲(chǔ)躲彳九廠弘于。阻p匕又，lF伺笠自：I’i。日期：知，2，／／6學(xué)位論文使用授權(quán)聲明研究生在校攻讀學(xué)位期間論文工作的知識(shí)產(chǎn)權(quán)單位屬南京師范

2、大學(xué)。學(xué)校有權(quán)保存本學(xué)位論文的電子和紙質(zhì)文檔，可以借閱或上網(wǎng)公布本學(xué)位論文的部分或全部?jī)?nèi)容，可以采用影印、復(fù)印等手段保存、匯編本學(xué)位論文。學(xué)?？梢韵驀?guó)家有關(guān)機(jī)關(guān)或機(jī)構(gòu)送交論文的電子和紙質(zhì)文檔，允許論文被查閱和借閱。(保密論文在解密后遵守此規(guī)定)保密論文注釋：本學(xué)位論文屬于保密論文，保密期限為年。學(xué)位論文作者簽名：彳尢日期：弘‘≥艚攤豹魄日期：印盧／I，易AbstractAbstractHistoriophotyrecordingthep

3、rocessofhistoricaldevelopmentandexploringthefuturedirectionsofthesocietywithaudiovisuallanguage，hasbecomeanewtrendinthefieldoffilmproductionandhistoricalresearchinrecentyears，andthemostimportantformofhistoriophotyisdocum

4、entarytelefilmThedocumentarytelefilmisneithera”compliationfilm”，”politicalcommentatorpiece”，nora”featurefilm”Itisakindofnon—fictiondocumentaryfilm，focusingonpolitical，economic，cultural，militaryorhistoricalevents，usingtex

5、t，pictures，videoandotherliteratureasthematerial，takingthewayoffieldshooting，liveinterviewsandotherdocumentarymeanstopresentthehistoricalappearanceobjectivlyandextractthenewcognitiveandperceptionofhistoryThedocumentarytel

6、efilminChinaCanbedividedintofourtypesinmajor：theHistoricalRevolutionDocumentarythdImportantHistoricalFiguresDocumentarytheCulturalandHistoricalDocumentaries，andtheTheoreticalDocumentariesFromthebirthofthefirsttelefilmdoc

7、umentaryworksin1927theChinesetelefilmdocumentaryhasgonethroughfivestagesofdevelopment：theoriginatorperiodofunconscious，thedevelopmentperiodcoredbyhistorythetransformationperiodofselfconsciousness，thegrowingperiodofreunif

8、icationandthematureperiodofdiversefusin”Decryptinghistorialtruth，lookingforculturalattribution，manufacturingfilmspectales，andcreatingcommercialvalues”hasbecomeabasicideaofthisdiversefusinperiodAndthedocumentarytelefilmpr

9、oductioninthisperiodhasshownthesethreemainfeatures：thediversificationoffilmthemes，thediversificationofproductiontechniquesandthediversificationoffilmmakersOfwhich，thehistoricaldocumentaryproductionmakedbyJintiemu，thecult

10、uraldocumentaryproductionmakedbyChoubin，thetheoreticaldocumentaryproductionmakedbyRenxuean，theoralhistorydocumentaryproductionmakedbyCuiyongyuan，isrepresentingthefourmaintypesofChinesedocumentaryproductioninthisperiodand

11、showingdifferentaestheticcharacteristicsAndthewell—knownproductionangencyNanjingTVStationhascreatedthe”NanjingTVPhenomenon”，andaffordedallimportantreferenceofdocumentarytelefilm—makingforthedomesticTVcolleaguesSince1927，