八十年代小說對(duì)話變異現(xiàn)象研究_34025.pdf

1、中文摘要中文摘要對(duì)話是一部小說成功的關(guān)鍵，是一部小說精彩與否的重要標(biāo)準(zhǔn)，是小說的靈魂所在。不同的時(shí)代背景下，小說的創(chuàng)作會(huì)有不同的風(fēng)格和特點(diǎn)，對(duì)話作為小說語言的重要組成部分，一向是作家們重點(diǎn)著墨之處。八十年代剛剛經(jīng)歷過文革的寒冬，小說家們由于受西方文化思想的影響以及求新求變心理的引導(dǎo)，紛紛致力于對(duì)小說風(fēng)格的改造。八十年代是新時(shí)期小說創(chuàng)作探索和轉(zhuǎn)型最活躍、成果最明顯的時(shí)期，這段時(shí)間內(nèi)，小說創(chuàng)作中形式的多樣化、各種觀念的盤虬交織，小說家們首先

2、進(jìn)行的就是對(duì)語言進(jìn)行變革的修辭努力，而作為小說靈魂所在的人物對(duì)話，更是小說家們努力雕琢的對(duì)象。因此，八十年代小說對(duì)話呈出現(xiàn)了不同于傳統(tǒng)小說的變異現(xiàn)象。本文將以八十年代小說對(duì)話為研究對(duì)象，著重從修辭學(xué)的角度對(duì)小說對(duì)話語言的變異現(xiàn)象進(jìn)行研究，從形式和言語交際鏈條上的變異入手，分析八十年代小說在特殊時(shí)代語境下所呈現(xiàn)出的超越常規(guī)，顛覆傳統(tǒng)的變異表現(xiàn)及其審美效果。關(guān)鍵詞：八十年代小說對(duì)話變異語境摘要AbstractDialogueisakeyfa

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