中國(guó)當(dāng)代油畫風(fēng)景寫生中物象的轉(zhuǎn)換性研究

1、 目 錄摘要...................................................................................................................................IABSTRACT.........................................................................

2、..............................................III緒論...................................................................................................................................11.1 課題研究現(xiàn)狀及本文的創(chuàng)新之處...................

3、......................................................11.2 課題研究目的及意義.............................................................................................21.3 課題研究思路及方法.............................................

4、................................................21.4 課題研究?jī)?nèi)容及文章結(jié)構(gòu).....................................................................................2第 1 章風(fēng)景寫生與物象轉(zhuǎn)換........................................................

5、...................................41.1 風(fēng)景寫生的概念.....................................................................................................41.2 風(fēng)景寫生的發(fā)展概況..........................................................

6、...................................61.3 物象的概念.............................................................................................................61.4 風(fēng)景寫生中對(duì)物象轉(zhuǎn)換的藝術(shù)訴求..............................................

7、......................61.4.1 客觀外在“真實(shí)”的再現(xiàn)..............................................................................61.4.2 主觀內(nèi)在“真實(shí)”的表達(dá)..............................................................................71.5 西

8、方美術(shù)史中風(fēng)景畫家在物象轉(zhuǎn)換上的語(yǔ)言案例分析.....................................8第 2 章中國(guó)當(dāng)代風(fēng)景畫家在寫生中物象的轉(zhuǎn)換.........................................................142.1 對(duì)點(diǎn)、線、面的探索..................................................................

9、.........................142.2 對(duì)色彩和裝飾性的追求.......................................................................................202.3 對(duì)造型圖示規(guī)律的思考............................................................................

10、...........282.4 對(duì)傳統(tǒng)中國(guó)畫圖式的借鑒..................................................................................32第 3 章中國(guó)當(dāng)代風(fēng)景畫家在寫生中物象轉(zhuǎn)換形成的背景.........................................363.1 成長(zhǎng)環(huán)境...............................

11、................................................................................363.2 活躍的藝術(shù)思維...................................................................................................373.3 對(duì)傳統(tǒng)文化的繼承..............

12、.................................................................................38第 4 章從中國(guó)當(dāng)代風(fēng)景寫生物象轉(zhuǎn)換研究中獲得的啟示.........................................404.1 對(duì)自我藝術(shù)實(shí)踐的總結(jié)與反思...................................................

13、........................404.2 立足本土，融入當(dāng)下...........................................................................................43結(jié) 語(yǔ).....................................................................................

14、....................................45參考文獻(xiàn).........................................................................................................................46致 謝....................................................