論中國畫中人物與背景的關(guān)系

1、 分類號注 1： 密級注 2： UDC注 3： 學(xué)號注 4： Y1003004 碩士 碩士 學(xué) 位 論 文 論中國畫中人物與背景的關(guān)系 論中國畫中人物與背景的關(guān)系 研究生姓名： 卞 媛 導(dǎo)師姓名： 于友善 于友善 教授 教授 申請學(xué)位級別 藝術(shù) 藝術(shù)碩士 碩士 學(xué)科專業(yè)名稱 中國畫人物 中國畫人物 論文提交日期 20 2012

2、12 年 4 月 16 16 日 論文答辯日期 20 2012 12 年 5 月 2 日 學(xué)位授予單位 南京藝術(shù)學(xué)院 南京藝術(shù)學(xué)院 學(xué)位授予日期 20 20 年 月 日 答辯委員會主席 評 閱 人 2012 年 4 月 16 日 英文摘要 Ⅱ ABSTRACT ABSTRACT In the traditional Chinese painting lo

3、ng developing process, the humanity must be earlier to own expression than to the natural environment description. Therefore moves the background as the character the natural scenery to neglect for a

4、long time, in the long time is in the design the decoration time. The Five Dynasties two Song times are the traditional Chinese painting rapid change development important periods. This time, not only the la

5、ndscape painting development has achieved the mature perfect boundary, moreover the portrait has also achieved the person and the background perfect fusion in this time. Song Dynasty's portrait increased the

6、 background third dimension, causes the picture the plot expression nature to be smoother, and thereby builds the poetic sentiment space which is in perfect harmony. During the Ming and Qing Dynasties of figure

7、 painting in the continuation of the Song Dynasty painting expression patterns more emphasis on the expression of subjective feelings. The characters in the picture and background processing through the clever white clot

8、h and the writing style of free essential to convey the subjective emotion interest, so that the screen literature to be fully expressed, gradually has formed its own national characteristics of the