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1、南京財經(jīng)大學碩士學位論文論哈羅德品特戲劇中權(quán)力爭奪的構(gòu)建-品特早期四部劇作的話語分析姓名:王先先申請學位級別:碩士專業(yè):英語語言文學指導教師:孫冬2011-01-07IABSTRACT Harold Pinter has been generally considered as the foremost representative of British drama in the second half

2、of the twentieth century. His name has entered the English language as an adjective to describe a particular atmosphere and environment in drama: Pinteresque. In October 2005, Pinter was awarde

3、d the Nobel Prize in Literature for his remarkable presentation of human predicament in modern society . The present thesis intends to examine the power relations as reflected in the character’ s dialogue,

4、 body gestures, and the spatiality of the stage in Harold Pinter’ s early four plays—The Room, The Birthday Party, The Dumb Waiter, and The Caretaker, based on Michel Foucault’ s theory of pow

5、er, discourse, space, and the body. Focusing on the power relations in discourse, space, and the body, this thesis explores the gender confrontation and the political conflicts in these plays,

6、which are the manifestations of power jockeying as stated by Foucault. This thesis is composed of five parts. The first part contains a brief introduction to Pinter’ s artistic development in t

7、erms of thematic concerns and dramatic techniques and a general review of Pinter criticism in recent years. Chapter One lays bare the theoretical foundation that this thesis is built upon—Fouca

8、ult’ s theory of power. In Foucault’ s philosophy, power is exercised in various aspects of the cultural and social life such as discourse, space, and the body. Discourse is a form of power

9、that can be found in every aspect of the society. It is exercised through the strategies of domination and those of resistance. Like discourse, space is also considered by Foucault as a site

10、 for power struggles. He put forward the notions of “ heterotopias”and “ panopticon”as the parameters to examine the social constructions inscribed in geography and space. Finally, Foucault’ s theory is c

11、oncerned with how power is embodied in human body which bears the disciplines and punishment as stipulated by laws and conventions. In Pinter’ s early plays, all the conflicts evolve around th

12、e will to power, as all the characters are trapped desperately in the battles of imposing and resisting omnipresent menace and domination. Chapter Two analyzes the gender confrontations reflecte

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