青海黃南藏戲傳承人研究——以多杰太為例

1、 學(xué)位類別：Mzys003 分 類 號： 學(xué) 號：0304051003 密 級： 青海民族大學(xué)碩士學(xué)位論文 青海民族大學(xué)碩士學(xué)位論文 青海黃南藏戲傳承人研究 青海黃南藏戲傳承人研究 —— ——以多杰太為例 以多杰太為例 學(xué)位申請人姓名： 黃 和 導(dǎo)師姓名及職稱： 曹婭麗 教授 專 業(yè)

2、名 稱： 中國少數(shù)民族藝術(shù) 答辯委員會（簽名）： Study on Qinghai Huang Nan Tibetan opera inheritors —— ——To Dories as an Example ABSTRACT Tibetan opera as the Pearl of the Tibetan people to

3、 create art exudes the rich Tibetan culture, extremely rich artistic and cultural connotations, is a valuable non-material cultural heritage wealth. The Huang Nan Tibetan opera as important schools of Tibetan opera has s

4、pecial status and value. The context of this article based on heritage protection, research heritage Dories too as the starting point, through the analysis of their creative features, creative style and artistic achievem

5、ents, representative works from the point of view of the study, creators and inheritors to present the Huang Nan unique charm of Tibetan opera, reflects the heritage artistic value and heritage value, and the protection

6、of the necessity and urgency of the Tibetan opera inheritors proposed protection scheme to provide a basis for better rescue, heritage and protection yellow South Tibetan opera. The paper is divided into four parts: the

7、Huang Nan Tibetan opera produced historical and cultural background. This is part of an overview from the Huang Nan geographical environment and human environment, the Huang Nan Tibetan opera formation and origins severa

8、l parts of the formation and characteristics of the Huang Nan Tibetan opera music. Second, Dories too and Tibetan drama creation.This section contains two parts: First, Dories too artistic experiences are described, from

9、 the monastic career, theater career, Tibetan opera career. The Tibetan opera creation of Dories too Tibetan opera work mainly analyzes his creative thinking, creative repertoire, musical characteristics and creates styl

10、e. Third, the interpretation of representative works of Dories too. This is part of the main body of the paper discusses the major analysis of the masterpiece “the Angel of the Tibetan Kings“, respectively, from the stor