也論卞之琳的“新格律”理論_28742.pdf

1、東南大學碩士學位論文也論卞之琳的“新格律”理論姓名：張艷申請學位級別：碩士專業(yè)：中國語言文學系；現當代文學指導教師：姜耕玉20110301AbstractBianZhilin’SpoetryinheritedthecharacteristicsthatcreatedbyWenYiduowhoisamemberofNewMoonPoetry，buthehadmadesomebreakthroughalsoHistheorieshadpla

2、yedaroleasabridgeintheprocessofmaterializationofChineseNewPoetrySohispoetrywascalled“NewRhymingpoet“Hechangedthecluethatfromthevisualperspectiveofthepoetry，theexternalformofthesimplepursuitofneatideas，therhythmofthepoems

3、fromtheoutsidetoinside，tosuchalong。timetocausesoundpoetrygroupcreatesemotionalupsanddowns，whichestablishedtheNewrhythm，whichasthecoreoftherhythmsystemAndfromthestartingpointofthiStheory，thenumberofdifferentaudiotonestodi

4、stinguishbetweentheeffectsgroups，suggestedtwotoneontheMetricalPoetryargument：thefamoussingingtonewithrecitativeTheformermainlyreferstothethreetonepoemsinmanyversesoftheendofthegroupasthelatteriSmoreofagroupattheendofthes

5、econdtoneBianZhi1inMetricalPoetrytheorythatmodernChineseduoamorefeasiblethaninthedirectionofthemetricalpoetryfromthetotalsounddoctrine，andtheoldrulesof1iberation，becameabigstepforwardButhispoetryprovesthathistheoryisopen

6、toquestionThisisnotonlyastartingpointforfuturegenerationscancontinuetodevelop，butalsometricalpoetryofhistoryliesthepossibilityofrecreationBianZhilinregardhismetricaltheoryasaguidetopoetrywriting，learningrhymecanbeamodelf

7、orfuturegenerations，canalsobecreatedlaterbytheresourcesNinePoemspoetryfromtheBianZhi1intookovertheintellectual，styletocompletethetransformationoftheirown，contributedtothematurityoftheChineseIntellectualPoetryBothhiStheor