等待戈多的“荒誕性”研究

1、南京師范大學(xué)碩士學(xué)位論文《等待戈多》的“荒誕性”研究姓名：魏宏星申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國(guó)語(yǔ)言文學(xué)；文藝學(xué)指導(dǎo)教師：許金林2009-04-25IIAbstract Beckett is the typical writer of the Absurd , he's waiting for godot through the absurdity of the shaping of the bizarre character im

2、age, reflects the extreme absurdities western civilization and the height of human dissimilation, grotesque forms of language and absurdity to achieve a high degree of unity of purpose, be the absurd masterpiece. This pl

3、ay is so weird, so that people, so thoroughly puzzled the traditional is abandoned the moving, but in less than a decade into the world stage. As in the theater of absurd esslin of notes: “an absurd theatre in such a sh

4、ort time of our era, is still the most amazing phenomenon in one of the page“. The first chapter is waiting for godot “absurd.“ Waiting for godot characters and the external environment, and with their own characters be

5、tween characters are absurd. The script is sections of the structure, it is a cyclic structure, the script language also lost traditional narrative and communication function, and become part of absurdity. The second cha

6、pter is “absurd“ tragedies. Waiting for godot structure contains the offensive is tragic. This tragic different from the traditional theory of tragedy, and presents a new features, but the essence of traditional tragedy

7、regression. The third chapter of the content is “absurd“ contains aesthetic character. “To“ absurdity aesthetics, discusses the concept of absurdity aesthetics, at first, then the evolution of absurdity aesthetics featur

8、es and aesthetic essence. At the end of the article summarized waiting for godot “absurd“ in human survival efforts of tragedies and aesthetic character, make waiting for godot has achieved great success, became the absu