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1、安徽大學 研究生英語讀寫譯教程 下冊 課文翻譯 QQ 414952294 1 Unit One Text A The End of Something Introductory Remarks Analysis of the story (by Norsk Skole) “The End of Something“, by Ernest Hemingway, is a s
2、hort story about two young people who witness how time can change the world and the people in it. Hemingway uses this story to convey how this change happens all the time, and however desperately you cling to the “presen
3、t“, the present only lasts for that one, fleeting moment you realize it is there, then it is gone, past, and it can never be present again. To understand this message, one must look at the way Hemingway writes this story
4、, how he uses the broken mill, the fish's not striking, and the characters in themselves to tell us a story far beyond what we read. The broken mill represents Nick and Marjorie's broken relationship. Once, the m
5、ill was the center of a lumbering town, Hortons Bay. The town was a place with people, shops, and activity. In the present of the story, the mill lies deserted, as does the town, for the mill was what had made Hortons Ba
6、y a town in the first place. Similarly, Nick and Marjorie were younger once, younger and more careless. Clearly, they are not old, but it seems that quite a few years have passed since they met. At that time, they did no
7、t have all that much to think or worry about, and their relationship flourished. It is evident that, in the present of the story, Nick and Marjorie have grown apart. They cannot relate as much to each other anymore, nor
8、can they stay young forever, thus the weak foundation of their relationship is torn down and left in pieces. For perhaps their youth was what made their relationship what it was, just as the mill made the town what it wa
9、s. As Nick and Marjorie now row along the shore, they troll for fish, but they do not get any. The fish's not striking is a symbol of Nick's lack of interest in their relationship. “'They're feeding,'
10、 Marjorie said. 'But they won't strike,' Nick said.“ There are probably things Nick and Marjorie could do, there are probably ways they could try to fix their relationship, but Nick has lost interest; the fis
11、h will not strike anymore, and love is not fun anymore. The love is there, but it has ceased to appeal to Nick. The good old past simply isn't good enough anymore. Marjorie, on the other hand, clings to what is left
12、and still hopes for the best. “Marjorie did not reel in until the boat touched the shore.“ She does not want to give up on catching those fish, and she does not want to give up on Nick. In this way, Hemingway, as third-p
13、erson narrator, uses the characters to make his point, as each of them represents either past, present, or future. Marjorie is past; she clings on for dear life to what was, and does not want to see that the world around
14、 her has changed. She describes the mill as a castle: a grand monument of her beloved past. Nick is present; he is confused and hurt and realizes that he cannot go on living like he does; he cannot go on living in the pa
15、st, with Marjorie. Instead, he looks to the future; Bill is a symbol of what is to come, of something new, of something better. 安徽大學 研究生英語讀寫譯教程 下冊 課文翻譯 QQ 414952294 3 4. … carrying with it
16、 everything that had made the mill a mill and Hortons Bay, a town. The schooners carried away almost all the machinery and the products of the mill. It was the machinery and the products that made the mill a mill and ma
17、de Hortons Bay a town. 5. They were trolling along the edge of the channel-bank where the bottom dropped off suddenly from sandy shallows to twelve feet of dark water. They were setting the fishing line along the edge o
18、f the channel-bank. At the bottom of the channel-bank, there was a 12-foot drop from the sandy shallow part to the deep bottom part of the channel. 6. Then Nick cut across the bay. Then Nick took a shorter route across t
19、he bay. cut across: take a shorter route e.g. She cut across the field quickly. He decided to cut across the heath(荒地). 7. She was intent on the rod all the time they trolled, even when she talked. Her attention was dir
20、ected to the fishing rod all the time they set the fishing line, even when she talked to Nick. be intent on: be determined to do sth.; pay particular attention on … e.g. The prisoner was intent on escaping. The children
21、are intent on making a snowman. 8. “You don’t want to rake the ventral fin out,” he said. “You don’t have to clean the ventral fin,” he said. rake out: to clean something out of something by raking e.g. You ought to rake
22、 the leaves out of the gutter so the water will flow. Please rake out the fallen leaves in the garden. 9. Marjorie rowed up the point a little way so she would not disturb the line. Marjorie rowed the boat away from whe
23、re the fishing line was set so that the boat would not disturb the line. 10. Little waves came in with it. Little waves came chasing the boat. 11. In back of them was the close second-growth timber of the point and in fr
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