中國寫實(shí)畫風(fēng)研究——以張宏的山水畫為例.pdf

1、青島科技大學(xué)碩士學(xué)位論文中國寫實(shí)畫風(fēng)研究以張宏的山水畫為例姓名：黃素娜申請學(xué)位級別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：張傳友20120510中國寫實(shí)畫風(fēng)研究——以張宏的山水畫為例CNESEREALISTlCSTYLE：一ASTUDYOFZHANGHONG’SLANDSCAPEPAINTINGASANEXAMPLEABSTRACTOnthesubjectoftheoriginofChinesepainting，visualimagefeature

2、s，themeaningofimages，visualimageandrealitysceneandotheraspect’SthisarticleexploresthepresenceandsignificanceofChineserealisticstyle。Paintingimageistheruseltofpeopleusingvisualorgansontherealsceneobservation，Theimageinanc

3、ientEgyptianmuralistheimagewecannotseeinthereality，butitistheiruseoftheirobservationofthewayandideaofobservedrealcharacters，theythinkit’StheonlywaytotrulyreproducetheireyescharactersBecausethewayofobservationandpeople’St

4、hinkingisdifferent，thepaintingswillshowdifferentstyles，butfromacertainpointofview，theyarerealimagesintheeyesofthepainterOntherealityofimagesofobjective，realisticportrayals，hasbeentheartrulefollowedbytheartist，butalsothei

5、mportantreasonwhyartistsgaintherespectChineseancientlandscapepaintingthroughtherealisticdepiction，theviewerwronglythinksheisinthenaturallandscape，causingcorrespondingtovariousemotionalassociationBasedontheanalysisofthewo

6、rksofZhangHong，ZhangHongobservedthenaturallandscapeinavirtualstaticattitudeobjectively，intheeyesoftrutharelandscape，naturalstate，withstrictandmeticulousrealiststyle，realisticportrayalsseenaturalsceneryBycomparingZhangHon