葛浩文英譯《生死疲勞》中譯者主體性研究.pdf

1、OntheTranslator’sSubjectivityAsExemplifiedinGoldblatt’STranslationofShengsipilaoAThesisPresentedtoTheCollegeofForeignLanguagesZhejiangNormalUniversityInPartialFulfillmentoftheRequirementFortheDegreeofMasterofArts—InEngli

2、shLanguageandLiteratureByJinLuobin—UndertheSupervisionofProfessorJiangLinZhejiangNormalUniversityMay2014ABSTRACTMoYan’SworksfredtheirrootsintheChineseancientcivilizationWithrichimaginationanduniquewritingstyles，theydepic

3、twhathashappenedinChina’SruralandurbanareasBecauseoftheartisticfeaturesi11hisworks，MoYahWasthefirstwriterwitllChinesenationalitytowintheNobelPrizeforLiteraturein2012ThathebecametheNobelPrizewinnerhaslargelydepended0ntheE

4、nglishtranslationsofhisworksbyHowardGoldbla_￡t，anAmericantranslatorMrGoldblatthasalwaysbeenregardedasoneofthemostinfluentialtranslatorsofChinesemodemandcontemporaryliteratureinEnglish—speakingcountriesSince1980s，hehasren

5、deredtheworksofmorethan20ChinesewriterssuchaSSuTong，MoYah，JiaPingwaBaiXianyong，WangShuoandXiaoHongManytraditionaltranslationtheoriesholdthatthetranslatoralwaysplaysalessimportantrolethantheauthorHowever，since‘“thecultura

6、lturn”oftranslationstudiesin1990s，moreandmorescholarsandresearchershavebeguntofocusontheinfluencesexertedbythetranslator’SculturalidentityandsubjectivityThusthepositionofthetranslatorhasbeengraduallypromotedAsamatteroffa

7、ctthetranslator’ssubjectivitypermeatesthroughthewholeprocessoftranslationAllthefactorssuchasthetranslator’Sinterests，aestheticstandards；translationpurposesandideologyaffecthis／herselectionofthesourcetext(ST)andtranslatio

8、nstrategyThiswillencouragethetranslatortewriteOrmanipulatetheSTbychoosingapropertranslationstrategyintheprocessoftranslationThispapertendstoexploreandanalyzeHowardGoldblatf’Ssubjectivity。inhistranslatedworkL沈andDeathAreW

9、earingMeOutandsuggeststhattherearetwoformsofsubjectivity：oneismanifestationofsubjectivity；theotherissuppressionofsubjectivityOntheonehand，Goldblatthastotakethetargetreader’Sreceptionofhistranslationintoconsideration；mean