論鄭敏詩歌的憂世情懷與適性心態(tài)

1、河北大學碩士學位論文論鄭敏詩歌的憂世情懷與適性心態(tài)姓名：王佳玲申請學位級別：碩士專業(yè)：中國現(xiàn)當代文學指導教師：劉玉凱20100501Abstract IIAbstract Zhengmin is one of the well-known “century evergreen trees” in the Chinese poetic world. In 1940s, she was called one of the three st

2、ars in the poetic world of West Southern United University when she initially entered the literary world. The other two stars are Du yunxie and Mudan. In 1980s, Zhengmin returned to the poetic world. She made exploration

3、s in the fields of poetry and poetic theory as piously as a pilgrim did. She was enlightened by the theory of contemporary American poetry and Delida deconstruction theory and regressed to Chinese traditional culture in

4、ideology. On the one hand, she paid attention to people life in war era and extolled the birth of the People’s Republic of China with her sincerity. She reflected on the Chinese Culture Revolution and postmodernism and a

5、ppealed for the revival of traditional culture. On the other hand, she adhered to the spiritual independence of an intellectual. She involved into reality but was not adrift. She transformed from reality into virtual wo

6、rld, especially in the exploration of poetry art. She merged with the heaven and the earth during the attentive listening and praise to the nature. She made a dialogue with the trace left by all things on earth. In this

7、way, the poet released unconsciousness and excavated instinct and desire, even struck up a worldly friendship with death. In spiritual freedom and congeniality, the poet equalized all things in the world and understood

8、death and life. The thesis intends to start from poet’s feelings of concerning the world and congenial mentality to explore the poet’s idea of synchronizing with the times and that of Confucian involving reality without

9、forgetting value concern. The poet’s freedom realm of adhering to the independence of life and art spirit without being disturbed by noisiness of outside world is also explored in this thesis. Based on it, the poet’s s

10、incerity, sadness and loftiness of describing hardship and the peaceful mood of keeping aloof and concerning society matter is analyzed. Zhengmin’s clear Chinese culture intrinsic essence--- Chinese subject and conscious