中國(guó)搖滾樂(lè)話(huà)語(yǔ)的再情景化——批評(píng)性語(yǔ)篇分析視角_9331.pdf

1、分類(lèi)號(hào)：學(xué)校代碼：10069密級(jí)：研究生學(xué)號(hào)：Y20120129ChineseRockRollasRecontextualizedDiscourse：ACriticalDiscourseAnalysisPerspective中國(guó)搖滾樂(lè)話(huà)語(yǔ)的再情景化中國(guó)搖滾樂(lè)話(huà)語(yǔ)的再情景化——批評(píng)性語(yǔ)篇分析視角批評(píng)性語(yǔ)篇分析視角研究生姓名：張穆瑤專(zhuān)業(yè)名稱(chēng)：外國(guó)語(yǔ)言學(xué)及應(yīng)用語(yǔ)言學(xué)指導(dǎo)教師姓名：趙芃副教授論文提交日期：2015年5月學(xué)位授予單位：天津商業(yè)大學(xué)

2、IAbstractBasedontheTranstextualityTheyproposedbyPennycookcpussystemicfunctionalgrammarthispaperaimstoanalyzetheprocessoftherecontextualizationofChineserockrollfromtheperspectiveofcriticaldiscourseanalysis.Bycpusanalysist

3、hebird’seyeviewlinguisticfeaturesofChineserockrollitsdifferencessimilaritiesineachphasearedescribed.Bysystemicfunctionalgrammaranalysistheclusterofhighfrequentlexicalwd“愛(ài)love”theclauseswiththekeywd“夢(mèng)dream”lyricspresentth

4、edifferentstylesbetweenwesternChineserockroll.TheseanalysesbothinthemacrolevelinthemicrolevelpointtothediscursivefeaturesofChineserockrollintheprocessofrecontextualizationwiththeinfluenceofChinesesocialdiscourses.Dataare

5、theChineserockrolllyricsrangingfromtheyear1986to2013.InthisresearchthedevelopmentofChineserockrollisfirstlydividedintothreephasesinvolvingtheprosperitytimethetransfmationtimethedevelopingtime.Then100lyricswrittenbyatleas

6、t12songwritersineachphasewillbechosen.Indertokeeptheauthentitcityaccuracyofthelinguisticmaterialsmostoftheselyricssourcefromthesingers’personalalbumswkswebpages.ItisfoundthatontheonehChineserockrollperfmstherebellingcons

7、ciousnessintermsoflexicalchoicebutontheotheraccompanyingwithsocialchangetheessenceoflyricsreflectstheindividual’shelplessnessconfusionspiritualemptinessthepursuitofselfdevelopment.Thesongwritersbyhybridingthemusicdiscour