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1、接受美學(xué)與哲學(xué)詮釋學(xué)一脈相承,哲學(xué)詮釋學(xué)主要涉及理解、意義、讀者與文本之間的關(guān)系等內(nèi)容,接受美學(xué),作為當(dāng)今一個重要的文學(xué)理論流派,也是以人的接受實踐為依據(jù),因而,詮釋學(xué)與接受美學(xué)的結(jié)合,不僅為文學(xué)作品的翻譯研究提供了新的空間和思路,還將對文學(xué)翻譯的理論與實踐產(chǎn)生極其重大的意義。根據(jù)接受美學(xué)理論,譯者在處理文學(xué)翻譯中的文化因素時應(yīng)采用恰當(dāng)?shù)姆g方法并充分考慮到目的語讀者的地位和作用,讀者的視域也應(yīng)受到譯者的關(guān)注。
本文以哲學(xué)
2、詮釋學(xué)為理論基礎(chǔ),闡述了接受美學(xué)的發(fā)展軌跡,對接受美學(xué)理論的解釋力進行了論證,使其形成強有力的解釋視角。接著,借助哲學(xué)詮釋學(xué)和接受美學(xué)理論對翻譯提出的要求,對余國藩和詹納爾兩位譯者《西游記》詩中文化負(fù)載詞的翻譯進行了統(tǒng)計分析,在目的語讀者的接受能力和譯者所采取的翻譯方法之間建立了一定的關(guān)聯(lián)。通過對比研究發(fā)現(xiàn),對于文化負(fù)載詞翻譯方法的選擇應(yīng)遵循一定的規(guī)律:分析生態(tài)文化負(fù)載詞和物質(zhì)文化負(fù)載詞的視域范圍,并根據(jù)其視域范圍選擇恰當(dāng)?shù)姆g方法,即
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